Let The Light In Studio Scarf
We've modelled the size and weight after our favourite vintage French scarves to create chic, easy to wear designs for every day use. Wear them wrapped once around the neck, tucked in to a jacket, or tied in the hair. Crafted from soft viscose, the fabric is a lighter, airier weight than our kimonos, with the same beautifully soft feel.
About the Print:
Inspired by poet Leonard Cohen’s famous quote “There is a crack in everything, that's how the light gets in”, this design celebrates the ways our experiences shape us, and the perfect beauty of imperfection. Created using several pieces of Delft tile from the 1700’s — including two elaborate Italianate landscape scenes — we chose to leave in the cracks and slight imperfections from the original ceramic in our final print. Just as there is so much beauty in the patina, there is so much to embrace about the challenges we’ve overcome that make us who we are! The two patterns found in the trim come from an 1867 British book on classical ornamentation, and an earthenware plaque from the Netherlands painted in 1780.
100% viscose (derived from plant fibres such as wood and bamboo). Handwash, hang to dry.
68cm x 155cm.
Let The Light In Studio Scarf
We've modelled the size and weight after our favourite vintage French scarves to create chic, easy to wear designs for every day use. Wear them wrapped once around the neck, tucked in to a jacket, or tied in the hair. Crafted from soft viscose, the fabric is a lighter, airier weight than our kimonos, with the same beautifully soft feel.
About the Print:
Inspired by poet Leonard Cohen’s famous quote “There is a crack in everything, that's how the light gets in”, this design celebrates the ways our experiences shape us, and the perfect beauty of imperfection. Created using several pieces of Delft tile from the 1700’s — including two elaborate Italianate landscape scenes — we chose to leave in the cracks and slight imperfections from the original ceramic in our final print. Just as there is so much beauty in the patina, there is so much to embrace about the challenges we’ve overcome that make us who we are! The two patterns found in the trim come from an 1867 British book on classical ornamentation, and an earthenware plaque from the Netherlands painted in 1780.
100% viscose (derived from plant fibres such as wood and bamboo). Handwash, hang to dry.
68cm x 155cm.
